bix beiderbecke and louis armstrong

Jazz cornetist Bunk Johnson often said it was one of the first tunes the 12-year-old Armstrong learned to play. Portrait of Bix Beiderbecke. “In A Mist” is an extraordinary piano composition Bix wrote in the 1920s; it sounds contemporary today, almost a century later. But on the South Side, there was Louis Armstrong, who brought out so many beautiful records that he overpowered everybody.” Saxophonist Bud Freeman said, “Louis loved Bix and Bix loved Louis, of course. Armstrong enjoyed playing together with many well known jazz musicians; one of them was Joe Oliver (Armstrong, Louis, par. Armstrong and Beiderbecke would meet again a few years after that initial encounter on the excursion boat in Davenport, Iowa. Bix and Louis had some things in common—they both possessed musical genius, and they both had a passionate, almost religious devotion to jazz. ), various types of opera music and even Latin American folk songs. “Tiger Rag,” a hit in 1920 for the Original Dixieland Jazz Band, was later played and recorded by both Armstrong and Beiderbecke. 2020. Louis Armstrong seemed to focus on hot jazz while Bix Beiderbecke focused more on a cool, reflective type of jazz. Armstrong with Avakian and W.C. Deeply attached to this early classic, Armstrong would perform and record this piece throughout his career. Like many other Bix-influenced players, I don’t want to simply copy Bix but I do listen to the Master playing in my head, and sometimes I work to see just how fat the sound can get.”. On average, jazz compositions are often altered based on the general “energy” of the audience within a particular venue, the interactions musicians have with each other when it comes to playing and even encompasses the mood of the musician at that particular moment. IvyPanda. Photo in public domain. John Adney. 1. According to many musicians who knew them, they also shared an affection and appreciation for each other’s work. Coming from radically different backgrounds, both musicians drew upon their influences to make music that revolutionized jazz, creating two separate legacies interwoven among each other in the peak of jazz popularity. Bix Beiderbecke was one the brightest innovators of the early jazz scene. This essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music was written and submitted by your fellow student. For full functionality of this site it is necessary to enable JavaScript. Many talented people played their jazz music creating a massive influence on the genre and its history. Their performance of King Oliver’s masterpiece “West End Blues” is a landmark recording in jazz, inducted into the Grammy Hall of Fame in 1979. Armstrong played “Tiger Rag” nightly for years as a spectacular feature. Bix first made a name for himself between 1923 and 24, playing with a group of young guys in the Midwest who called themselves the Wolverine Orchestra. It is based on this that the emotions that a person is able to incorporate into a song is heavily dependent on their life’s experiences. What a Wonderful World: The Magic of Louis Armstrong’s Later Years. sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! On the other end of the spectrum, we have Beiderbecke who lived a life of relative comfort and privilege. ensure the integrity of our platform while keeping your private information safe. Lauterbach, P. (2014). Profil: American jazz cornetist, pianist and composer (born March 10, 1903, Davenport, Iowa, USA - died August 6, 1931, Queens, New York, USA), regarded as one of the most influential jazz soloists of the 1920's together with Louis Armstrong. He put it to his lips and blew a phrase. And when Bix bears down, sometimes he gets a brassy edge on the top of all that sound. before he became a musician) that is known to biographers. When comparing the situations of Beiderbecke and Armstrong, it can be seen that both were in vastly different social and political circles which in turn impacted the way in which they expressed themselves through music. When examining the history behind Beiderbecke, the origin of his interest in music seems to stem from Nick LaRocca and Dixieland jazz from which he originally developed his love for jazz music (Haim, 2011). The Edge of Evening (Chronology of Disunion) by Sara Pedigo. Unfortunately, your browser is too old to work on this site. IvyPanda, 22 June 2020, ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. This is one of the reasons why “range” was an important factor when it came to the popularity of Armstrong over Beiderbecke since he simply incorporated a greater repertoire of different sounds and styles which enabled him to capture a greater audience than Beiderbecke. IAJRC Journal, 44(1), 10-16. Witness for the Prosecution. Haim, A. Artists featured: Louis Armstrong, Kuke Elligton, Bix Belderbecke, Bessie Smith, the Dorsey Brothers and others! This tended to alter the intended performance of a piece; however, it was the uniqueness that of the music created that drew audiences to him. Let's see if we can help you! From their time of birth, no two people could have seemed less likely to cross paths than Bix Beiderbecke and Louis Armstrong. At the Jazz Band Ball features rare, archival film clips from 1925 to 1933 that showcase a wonderful potpourri of musicians, bandleaders, singers, dancers, and entertainers that characterized the best of the Harlem Renaissance and the Jazz Age. Découvrez toutes les promotions CD & Vinyles, les … Armstrong would go on to be one of the first musicians to challenge this racial divide, and his life story is well documented. Web. (2011). Trumpeter Doc Cheatham recalls, “Everything was Bix Beiderbecke back then. The database is updated daily, so anyone can easily find a relevant essay example. Handy, 1954. Today jazz is well known as the genre mainly played by the musicians of African-American origin, and Bix Beiderbecke is still famous for being an outstanding white guy, who played fantastic jazz music. Teachout (2005) explains that the essence of jazz, when compared to other styles of music, is “different” in the sense that it does not adhere to a certain structure and a way of playing it. In 1927, he joined the Paul Whiteman orchestra. Self and Finn . Whether this was due to him willfully trying to ignore all the issues he had with his childhood or a simple eccentricity on his part will never be truly understood. Need a custom Essay sample written from scratch by It contains thousands of paper examples on a wide variety of topics, all donated by helpful students. This is not to stay that both men are not equally talented in their own way, however, since Armstrong had a much harsher life growing up and developing into who he was, it is not surprising that he was able to present a more powerful presence since through his music he is apparently shouting against the injustice that he had to endure (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). Here, the track begins with Armstrong’s magnificent solo from the original recording, then crossfades live to The Jim Cullum Jazz Band on stage at The Landing with bandleader Cullum taking the lead on cornet. Louis Armstrong grew up in poverty in a shantytown on the back streets of New Orleans, where basic needs like a full stomach and a pair of shoes were rarely met. This week Riverwalk Jazz brings together music of two pioneers of jazz—cornetist and trumpeter Louis Armstrong, often cited among the greatest contributors to jazz, and Bix Beiderbecke, the self-taught cornetist whose thoughtful, lyrical approach had an enormous effect on jazz in the 1920s. His combination of a unique talent and a tragically short life won Bix a place in the pantheon of jazz mythology. IvyPanda. Armstrong was black and Beiderbecke was white and musical segregation was complete in the 1920's. 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When comparing the lives of Beiderbecke and Armstrong, a significant disparity is seen wherein Beiderbecke was born into a life of privilege while Armstrong was born into a life of poverty and discrimination. Bix was with the Wolverines at the Cinderella Ballroom and Louis was appearing with Fletcher Henderson’s Orchestra at the Roseland. This sets it apart from other styles of music wherein adherence to the measure and beat of the piece is absolutely essential. Bix was still at his peak in July 7, 1928 when he recorded “Wa Da Da. (2020, June 22). For me, it’s the most beautiful musical sound I’ve ever heard. Musical styles and philosophies of Louis Armstrong and Bix Beiderbecke. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." While his music did reflect the “soulfulness” that jazz was known for and were somewhat altered based on his own improvised style of playing, the fact remains that they lacked the power and range that Armstrong had (Haim, 2011). Armstrong was born in a time of considerable political upheaval which was characterized by the civil rights movement due to racial segregation that was occurring within America at the time. Leon Bismark " Bix " Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer. In New Orleans, jazz had been ensemble playing, with the various instruments weaving their parts into a single and coherent aural tapestry. From then on he did not receive any formal training and instead taught himself how to play and developed his talent over the years by going to various jazz performances, listening to artists as they played and generally tried to improve on what he heard through his own improvisational style. by Francis Mosley. (2020) 'Louis Armstrong's and Bix Beiderbecke's Jazz Music'. By then, the middle-aged Armstrong was unsurpassed on his instrument and a vital contributor to jazz. At a time when the country was completely divided along lines of race, Bix was white and Armstrong black. by Fiona White. Exhibitors. Bix Beiderbecke is best known for his lyrical cornet solos but throughout his life he continued to play piano—the first instrument he learned as a boy. Web. While it cannot be stated with outright conviction that the generally “soft” life that Beiderbecke led resulted in an inferior level of musical talent as compared to Armstrong, the fact remains that their individual social situations did have an impact on how they approached jazz music. The tune was written to cash in on a dance craze of that name in 1913. ”. professional specifically for you? Bix Beiderbecke embodied the spirit of the Jazz Age. By then, both jazzmen had come up in the world and were headlining in Chicago—Bix on the North Side and Louis on the South. Sites: bixsociety.org, bixbeiderbecke.com, Wikipedia, famouscomposers.net. Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato par et une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après guerre, sera le jazz cool. Les meilleures offres pour THIS IS NEW ORLEANS JAZZ - LOUIS ARMSTRONG BIX BEIDERBECKE - 3 CDS - NEW!! You are free to use it for research and reference purposes in order to write your own paper; however, you must. IvyPanda. Beiderbecke's alcoholism shortened a talented life. On the other hand, since Armstrong is known for his inventive and improvisational style of playing, the incorporation of musical influences from different stylistic backgrounds seemed to have been a success since it resulted in renditions that became widely popular. 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